陈惠惠是含着金汤匙出生的千金大小姐，父母一手打点好了她的终身大事，这让陈惠惠感到十分愤怒。为了反抗父母之命，陈惠惠选择了离家出走，前往上海，在那里，隐藏着她的爷爷和奶奶之间的一段动人的感情。 途中，陈惠惠结识了名叫陈大宝的青年。陈大宝和朋友阿土共同发明了能增强手机信号的机器，他希望能凭借此发明申请到专利，在上海拼搏出一片属于自己的天空。谁知道，陈惠惠和陈大宝刚一来到上海就双双遭遇了滑铁卢，陈惠惠丢掉了现金和信用卡，陈大宝的发明让他血本无归。走投无路的两人相依为命，准备去投奔陈大宝的朋友小康。

陈惠惠是含着金汤匙出生的千金大小姐，父母一手打点好了她的终身大事，这让陈惠惠感到十分愤怒。为了反抗父母之命，陈惠惠选择了离家出走，前往上海，在那里，隐藏着她的爷爷和奶奶之间的一段动人的感情。 途中，陈惠惠结识了名叫陈大宝的青年。陈大宝和朋友阿土共同发明了能增强手机信号的机器，他希望能凭借此发明申请到专利，在上海拼搏出一片属于自己的天空。谁知道，陈惠惠和陈大宝刚一来到上海就双双遭遇了滑铁卢，陈惠惠丢掉了现金和信用卡，陈大宝的发明让他血本无归。走投无路的两人相依为命，准备去投奔陈大宝的朋友小康。

Seb 要向女儿 Emma 宣布一个痛苦的消息——他和她母亲即将离婚。无奈之下，他只能说出真相：他喜欢男人。这消息对 Emma 而言如晴天霹雳，质疑与困惑瞬间涌上心头。为了让女儿理解自己，Seb 带着她回到了 2000 年。就在那一年，一场刻骨铭心的青涩恋爱，彻底改变了他的人生轨迹。

当 Seb 向女儿 Emma 宣布他和她母亲将要离婚这一痛苦的消息时，他不得不道出真相：他喜欢男人。这个消息对 Emma 来说犹如晴天霹雳，质疑与不解接踵而至。为了让女儿能够理解，他带着女儿回到了 2000 年，那一年，一段刻骨铭心的青涩恋情，彻底改变了他的人生。

1954年7月，BBC的电视广播公司正式成立。50年以来，世界各国政治风云变幻，BBC都不失时机地在电视新闻中给予了播报。本片为BBC电视广播公司成立50年以来的电视新闻精选。

纪录电影《中国1978》选用大量中央新闻纪录电影制片厂1978年前后拍摄的影像资料，带领观众回到30年前那个决定中国命运的年份，以今天的视角回望1978年这个中国改革开放的元年。影片将从这一年所发生的故事里去寻找三十年间这个新时期的源头，带领集体记忆，共同感受中国历史上这个扎扎实实的1978年。 　　该片由深圳市委宣传部、中央新闻纪录电影制片厂联合制作的文献纪录电影《中国1978》，近日在北京京西宾馆礼堂首映。影片于2008年12月11日在深圳上映。 　　《中国1978》是为纪念中国改革开放30周年而拍摄的，片长90分钟。《中国1978》利用中央新影所拥有的历史影像资料，以大事件为主线，穿插和突出描述细节故事，从人民生活、科学教育、干部路线、思想路线、政治路线等方面全面回顾了1978年这一年里中国所发生的变化。 　　与众多回顾历史的理论文献影片不同，电影《中国1978》加入现代流行元素。影片一开始就用年轻人的一段Rap，唱出了改革开放30年中国的变化。现代元素的加入让影片的形式更加新颖，而歌曲中所唱的也都是发生在老百姓身边的事。不少年轻观众看后纷纷表示，影片虽然以1978年中国发生的重大政治改革为背景，但穿插其中的都是与老百姓密切相关的生活故事，例如在集市上看大戏、公园里谈恋爱、理发店里烫头发等场景，还有著名作家巴金、数学家陈景润、电影人邓婕等，让他们对1978年的中国状态有了更直观的印象。 　　中央文献研究室常务副主任杨胜群说，《中国1978》用大量鲜为人知的史料和资料，揭示了党和国家领导人在历史发展的重要关头对中国未来的思考，反映了人民群众在那样一个特殊的年代里的喜怒哀乐和生活情感的变迁；既有宏大的数字，也有细节刻画，是一部融思想性和艺术性为一体的成功的文献纪录作品。 　　目前，该片已经作为国家电影局为纪念改革开放30周年向全国各大院线和社会公开重点推荐的5部影片之一，也是全国纪念改革开放30周年系列影视作品中惟一一部电影纪录片。

This is not the end of the Cocteau story, of course, for as we have constantly witnessed, he is always oriented towards the future due to his undimmed faith in the creative act, and none more so than in the medium of film. Indeed, he was even more advanced in his preparations for death and the after-life of his work than originally thought. 　　Just a couple of months before his death, in August 1963, he made one last film: a 25-minute short entitled Jean Cocteau s’adresse à l’an 2000 (Cocteau addresses the year 2000). The film comprises one still and highly sober shot of Cocteau facing the camera head-on to address the youth of the future. Once recorded, this spoken message for the 21st century was wrapped up, sealed and posted on the understanding that it would be opened only in the year 2000 (as it turned out, it was discovered and exhumed a few years shy of that date). If in The Testament Cocteau portrays himself as a living anachronism, a lonesome classical modernist loitering in space-time in the same buckskin jacket and tie while lost in the spectral light of his memories, here he acknowledges explicitly the irony of his phantom-like state: by the time the viewer sees this image, he, J. C., our saviour Poet, will long be dead. 　　Temporality is typically skewed: speaking from both 1963 and 2000 Cocteau is at once nostalgic for the present that will have passed and prophetic about the future. There is thus both a documentary aspect and projective thrust to the film, another new configuration of ‘superior realism’ and fantasy enhanced by Cocteau’s seamless performance as himself and his now ‘immortal’ status as a member of the Académie Française. He reiterates some of his long-standing artistic themes and principles: death is a form of life; poetry is beyond time and a kind of superior mathematics; we are all a procession of others who inhabit us; errors are the true expression of an individual, and so on. The tone is at once speculative and uncompromising, as when Cocteau pours vitriolic scorn on the many awards bestowed upon him, which he calls ‘transcendent punishments’. He also revels in the fact that he can say now what he likes with absolute freedom and impunity since he will not be around to suffer the consequences. 　　The status of Jean Cocteau s’adresse à l’an 2000 remains ultimately unclear. Is it a new testament or confession, or a heroic demonstration of the need for human endurance, or a pure ‘farce of anti-gravitation’ as he puts it? Or everything at once? It is entirely characteristic of Cocteau to leave us hanging on this suspended paradox. What is certain, however, and what we have consistently seen, is that Cocteau’s life and body are his work, and his work in turn is always mysteriously alive. This is Cocteau’s final gift to his fellow human beings. Let us retain and celebrate the force of that gesture. He is resurrected before our eyes, ever-present, defiant and joyfully queer. 　　Jean Cocteau is dead, long live Cocteau! 　　(James S. Williams)

２０５７年的世界是怎样呢？车可飞上天？人造器官？中国和美国争能源？隐型战士？太空天梯？由世界顶尖科学家和研究机构支持，本剧利用科学事实加上科学幻想来预测未来可能的情况。涉及的范围包括医疗科技、运输的进步，甚至未来的文化和政治意识形态都将在剧中进行探究和解释。 　　What would you see and experience if the clocks rolled forward 50 years? In a unique blend of drama and science, this three-part series shows you the world of tomorrow. Will we have flying cars? Will advances in medicine help us stay young forever? What about "printing" custom-made vital organs? What will our cities look like? What will tomorrow's wars be about? Will we have robots helping around the house? Will solar power be the new oil? 　　Supported by the world's leading scientists and research institutes, we embark on a quest to answer some of society's most fundamental questions and reveal the dramas of tomorrow's world along the way. State-of-the-art computer graphics in combination with a dynamic story line will create a world usually only seen in feature films, but with the accuracy and relevance of a documentary. This series is all about opening the window of our future based on science fact, not science fiction. 　　The Body 　　Flying ambulances? Intelligent clothing? Custom-built organs from scratch? Robotic surgery? Learn about today's medical breakthroughs that will extend our lives in 50 years. 　　The City 　　Cars without drivers? Humanoid robots in every household? Cyber-hacking? Intelligent camera surveillance systems? Learn about today's scientific advances that will shape our networked cities of tomorrow 　　The World 　　An invisible soldier? A space elevator to the stars? Transmit the inventory of the Library of Congress via laser beam in seconds? What are the real fuel sources of the future? Learn about technological quantum leaps that will shape our planet in 50 years.

今天日本的国家安全，无法与在日美军基地脱钩。 　　1960年在激烈的反对运动中，签订了今天的日美安保协定，目的是维持日本及远东和平，但其牵涉范围扩大至世界，变相推进了日美军事一体化。 　　距离日美安保条约改订已逾半个世纪，在此期间条款虽未有大改动，但在国际形势的巨变中，在日美军基地的地位及作用已发生巨大变化。 　　系列片日美安保50年，自今日起分四集向您介绍在日美军基地的现状，及日美安保协定产生何种变化，并思考今后日本的安全保障和外交。